| Anorafeature | 2024 | Kodak 35mm 4-perf anamorphic (Lomo lenses, push +1) | 2.39:1 | Colour curated. Lighting curated. Locations curated. Post curated. | 7.1 | curated |
| Conclavefeature | 2024 | RED V-RAPTOR 8K VV | 2.39:1 | 7.2 | curated |
| Dune: Part Twofeature | 2024 | ARRIRAW 4.5K LF Open Gate | 2.39:1 | Colour curated. Lighting curated. Locations curated. Post curated. | 8.1 | curated |
| The Brutalistfeature | 2024 | VistaVision 8-perf 35mm | 1.66:1 | Colour curated. Lighting curated. Locations curated. Post curated. | 7.0 | curated |
| The Substancefeature | 2024 | ARRIRAW ALEXA Mini LF | 2.39:1 | 7.1 | curated |
| Killers of the Flower Moonfeature | 2023 | ARRIRAW ALEXA 65 | 2.39:1 | Colour curated. Lighting curated. Locations curated. Post curated. | 7.4 | curated |
| Oppenheimerfeature | 2023 | IMAX 65mm 15-perf | 2.20:1 | Colour curated. Lighting curated. Locations curated. Post curated. | 8.0 | curated |
| Poor Thingsfeature | 2023 | ARRIRAW Mini LF | 1.66:1 | Lighting curated. | 7.6 | curated |
| All Quiet on the Western Frontfeature | 2022 | ARRIRAW ALEXA 65 (primary) | 2.39:1 | 7.7 | curated |
| Babylonfeature | 2022 | ARRIRAW ALEXA 65 | 2.39:1 | 7.3 | curated |
| Elvisfeature | 2022 | ARRIRAW ALEXA 65 (primary) | 2.39:1 | 7.5 | curated |
| The Batmanfeature | 2022 | ARRIRAW ALEXA LF | 1.85:1 | Stunts curated. Colour curated. Lighting curated. Locations curated. Post curated. | 7.7 | curated |
| The Northmanfeature | 2022 | ARRIRAW ALEXA Mini LF | 2.39:1 | 7.0 | curated |
| TÁRfeature | 2022 | ARRIRAW ALEXA 65 (primary) | 2.39:1 | Colour curated. Lighting curated. Locations curated. Post curated. | 7.1 | curated |
| Nightmare Alleyfeature | 2021 | ARRIRAW ALEXA 65 | 2.39:1 | 7.0 | curated |
| Spencerfeature | 2021 | ARRIRAW ALEXA Mini LF | 1.66:1 | 6.7 | curated |
| The Power of the Dogfeature | 2021 | ARRIRAW ALEXA LF | 2.39:1 | 6.7 | curated |
| Mankfeature | 2020 | ARRIRAW ALEXA LF (B&W grade, Academy ratio) | 1.37:1 | 6.7 | curated |
| 1917feature | 2019 | ARRIRAW ALEXA Mini LF | 2.39:1 | Stunts curated. Colour curated. Lighting curated. Locations curated. Post curated. | 8.0 | curated |
| Jokerfeature | 2019 | ARRIRAW ALEXA LF | 2.39:1 | 8.1 | curated |
| Marriage Storyfeature | 2019 | Kodak 35mm 4-perf | 1.85:1 | 7.7 | curated |
| Midsommarfeature | 2019 | ARRIRAW ALEXA Mini | 2.39:1 | 7.1 | curated |
| Once Upon a Time... in Hollywoodfeature | 2019 | Kodak 35mm 4-perf anamorphic (Panavision) | 2.39:1 | 7.4 | curated |
| Portrait of a Lady on Firefeature | 2019 | ARRIRAW ALEXA Mini LF (1.37 frame) | 1.37:1 | 8.1 | curated |
| The Lighthousefeature | 2019 | Kodak Double-X 5222 35mm (1.19:1 near-square) | 1.19:1 | 7.5 | curated |
| Cold Warfeature | 2018 | Kodak 35mm 4-perf B&W (1.37 Academy ratio) | 1.37:1 | 7.4 | curated |
| First Manfeature | 2018 | Kodak Super 16mm (home / training sequences) | 1.78:1 | 7.0 | curated |
| The Favouritefeature | 2018 | Kodak 35mm 4-perf (1.37 Academy ratio, fish-eye lenses) | 1.37:1 | 7.5 | curated |
| Blade Runner 2049feature | 2017 | ARRIRAW ALEXA XT (primary) | 2.39:1 | Stunts curated. Colour curated. Lighting curated. Locations curated. Post curated. | 7.6 | curated |
| Blade Runner 2049feature | 2017 | ARRIRAW ALEXA XT | 2.39:1 | Stunts curated. Colour curated. Lighting curated. Locations curated. Post curated. | 7.6 | curated |
| Dunkirkfeature | 2017 | IMAX 65mm 15-perf | 2.20:1 | 7.5 | curated |
| Arrivalfeature | 2016 | ARRIRAW ALEXA | 2.39:1 | 7.6 | curated |
| La La Landfeature | 2016 | Kodak 35mm 4-perf anamorphic (Panavision) | 2.55:1 | 7.9 | curated |
| Moonlightfeature | 2016 | ARRIRAW ALEXA Mini | 2.39:1 | 7.4 | curated |
| Carolfeature | 2015 | Kodak Super 16mm 3-perf (16mm blown up to 35mm) | 1.33:1 | 7.5 | curated |
| Ex Machinafeature | 2015 | ARRIRAW ALEXA | 2.39:1 | 7.6 | curated |
| Mad Max: Fury Roadfeature | 2015 | ARRIRAW ALEXA M | 2.39:1 | Stunts curated. Colour curated. Locations curated. Post curated. | 7.6 | curated |
| Son of Saulfeature | 2015 | Kodak 35mm 4-perf (1.37 Academy ratio) | 1.33:1 | 7.1 | curated |
| The Revenantfeature | 2015 | ARRIRAW ALEXA 65 | 2.39:1 | Stunts curated. Colour curated. Lighting curated. Locations curated. Post curated. | 7.5 | curated |
| The Revenantfeature | 2015 | ARRIRAW ALEXA 65 (5K Open Gate) | 2.39:1 | Stunts curated. Colour curated. Lighting curated. Locations curated. Post curated. | 7.5 | curated |
| Birdman or (The Unexpected Virtue of Ignorance)feature | 2014 | ARRIRAW ALEXA M | 1.85:1 | 7.4 | curated |
| Gravityfeature | 2013 | ARRIRAW ALEXA + CODEX onboard recording | 2.39:1 | Stunts curated. Colour curated. Lighting curated. Locations curated. Post curated. | 7.2 | curated |
| Gravityfeature | 2013 | ARRIRAW ALEXA | 2.39:1 | Stunts curated. Colour curated. Lighting curated. Locations curated. Post curated. | 7.2 | curated |
| Skyfallfeature | 2012 | ARRIRAW ALEXA | 2.39:1 | Stunts curated. | 7.3 | curated |
| Inceptionfeature | 2010 | Kodak 35mm 4-perf anamorphic (Panavision) | 2.39:1 | Stunts curated. Colour curated. Lighting curated. Locations curated. Post curated. | 8.4 | curated |
| The Social Networkfeature | 2010 | RED One MX (primary) | 2.39:1 | 7.4 | curated |
| The Dark Knightfeature | 2008 | Kodak 35mm 4-perf (Panavision spherical) | 2.39:1 | Stunts curated. | 8.5 | curated |
| No Country for Old Menfeature | 2007 | Kodak 35mm 4-perf (Panavision spherical) | 2.39:1 | Colour curated. Lighting curated. Locations curated. Post curated. | 8.0 | curated |
| No Country for Old Menfeature | 2007 | Kodak 35mm 4-perf anamorphic (Panavision) | 2.39:1 | Colour curated. Lighting curated. Locations curated. Post curated. | 8.0 | curated |
| There Will Be Bloodfeature | 2007 | Kodak 35mm 4-perf anamorphic (Panavision) | 2.39:1 | 8.1 | curated |
| Children of Menfeature | 2006 | Kodak 35mm 4-perf (Panavision spherical) | 1.85:1 | Colour curated. Lighting curated. Locations curated. Post curated. | 7.6 | curated |
| Children of Menfeature | 2006 | Kodak 35mm 4-perf | 1.85:1 | Colour curated. Lighting curated. Locations curated. Post curated. | 7.6 | curated |
| Collateralfeature | 2004 | Sony HDW-F900 HD video (primary) | 2.39:1 | 7.2 | curated |
| Schindler's Listfeature | 1993 | Kodak 35mm 4-perf B&W (Agfa for color sequences) | 1.85:1 | 8.6 | curated |
| Blade Runnerfeature | 1982 | Kodak 35mm 4-perf anamorphic (Panavision) | 2.39:1 | 7.9 | curated |
| Apocalypse Nowfeature | 1979 | Kodak 35mm 4-perf anamorphic (Panavision) | 2.39:1 | 8.3 | curated |
| Days of Heavenfeature | 1978 | Kodak 35mm 4-perf (Panavision spherical) | 1.85:1 | 7.5 | curated |
| Barry Lyndonfeature | 1975 | Kodak 35mm 4-perf (Zeiss f/0.7 NASA lenses) | 1.66:1 | 8.0 | curated |
| The Godfatherfeature | 1972 | Kodak 35mm 4-perf anamorphic (Panavision) | 1.78:1 | 8.7 | curated |