For working professionals

For Colorists

Camera-log-to-deliverable pipelines per production, grading attribution at DI facility level, ACES tooling for on-set prep, and the citation-graded references that turn a finishing pass into a defensible audit trail.

Working tools

ACES IDT/ODT picker
Camera log → working space → deliverable chain decoder. Browse the canonical IDT/ODT pairs for every camera body in the archive.
ASC CDL parser
Drop a .cdl/.ccc file; see SOP + Saturation broken out, with a CSS-filter approximation against a sample frame.

Cross-cuts

Stefan Sonnenfeld grading credits
ACES versions used by post-house
Photochemical-only finishing
Dolby Vision HDR deliverables, 2023

Most-cited colorists

All post →

Michael Semanick
15 credits · Re-Recording Mixer
Christopher Boyes
14 credits · Re-Recording Mixer
John Roesch
14 credits · Foley Artist
Ai-Ling Lee
13 credits · Re-Recording Mixer
Dan O'Connell
13 credits · Foley Artist
Andy Nelson
11 credits · Re-Recording Mixer
Randy Thom
11 credits · Sound Designer
John T. Cucci
10 credits · Foley Artist
Ren Klyce
10 credits · Sound Designer
Gary Rizzo
9 credits · Re-Recording Mixer
Shelley Roden
9 credits · Foley Artist
Skip Lievsay
9 credits · Re-Recording Mixer

Working tools

ACES IDT/ODT picker

ASC CDL parser

Cross-cuts

Most-cited colorists