Sound · discipline
Foley
Synchronous everyday sound, performed to picture on a foley stage. Named for Jack Foley, who invented the craft at Universal in the 1930s. The most physical role in post sound.
- 12325
- Foley artists
- 14
- Top credit count
- sound-design
- Award craft
The craft
Foley fills the gaps production audio can't carry — every footstep, sleeve rustle, glass set down, key in lock, body fall. The artist performs synchronously to picture in a dedicated foley stage (concrete, gravel, wood, water, sand pits, prop wall), recorded by a foley mixer and assembled by a foley editor. The end result blends invisibly with production dialog and the design-side sonic content.
Foley credits often sit in the supervising sound editor's roster on awards; the MPSE Golden Reel sound-effects & foley category recognizes the work explicitly. Foley artists are listed here when CineCanon has a citable credit for them on a specific production.
Most-credited foley artists
All sound crew →John Roesch
14 credits
Dan O'Connell
13 credits
John T. Cucci
10 credits
Shelley Roden
9 credits
Marko Costanzo
7 credits
Peter Burgis
7 credits
Dennie Thorpe
6 credits
Goro Koyama
6 credits
Jana Vance
5 credits
Alyson Dee Moore
4 credits
Andie Derrick
4 credits
Andy Malcolm
4 credits
Marnie Moore
4 credits
Phil Heywood
4 credits
Sue Harding
4 credits
Catherine Harper
3 credits
Christopher Moriana
3 credits
Gary A. Hecker
3 credits
Hilda Hodges
3 credits
Jason Swanscott
3 credits
Jeffrey Wilhoit
3 credits
Rick Owens
3 credits
Steve Baine
3 credits
Adam DeCoster
2 credits