feature · 19821h 58mUS
Blade Runner
In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their creator for a way to extend their short life spans.
Verified
At a glance
- Director
- Ridley Scott
- Cinematography
- Jordan Cronenweth
- Editor
- Marsha Nakashima
- Music
- Vangelis
- Costume
- Michael Kaplan
- Primary lens
- Panavision H40 (LF Anamorphic)2 scenes
- Format
- 2.39:1 · Kodak 35mm 4-perf anamorphic (Panavision)Theatrical
- Locations
- Burbank, CA (miniature) · Los Angeles (set)
Production
Studios
- Warner Bros. Picturesdistributor
Department
Camera
- Jordan CronenwethDirector of Photographyprimary
- George D. GreerSecond Assistant Cameraprimary
- Robert C. ThomasCamera Operatorprimary
- Steven H. SmithFirst Assistant Cameraprimary
- Albert BettcherCamera Operator
- Dick ColeanCamera Operator
- Michael GenneFirst Assistant Camera
Department
Grip
- Cary GriffithKey Gripprimary
Recognition by craft
Recognition
Awards (1 won, 7 total)
- Status: WONBAFTABest Production Design1983Cited source (opens in new tab): [src]
Stunts
1 crew
The stunt department on this production: credited crew, actor-double pairings, and the companies whose members brought them onto the show. Click any name to jump to their full filmography + doubling history.
Department
Production
Videos
The Original CGI Cinematographer Bruce Logan ASC Talks about the Seminal 1982 Film "Tron"
VFX BreakdownManhattan Edit Workshop / 2:58
Inside the Making of Blade Runner 2049 - Intro Music by Le Fou
Making OfConstantin Philippou - Le Fou / 11:13
Blade Runner (1982) Trailer from picturepalacemovieposters.com
OtherPICTURE PALACE MOVIE POSTERS / 3:37
Production
Scenes & Equipment
Burbank, CA (miniature)
Los Angeles (set)
Franchise
Blade Runner Collection
Related
Similar productions
Ranked by overlap of director, cinematographer, genre, and decade.
Related
Thematically similar
By embedding cosine-similarity — surfaces films with comparable subject matter and tone, regardless of whether crew credits overlap.
