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feature · 2015

The Revenant

2.39:1·ARRIRAW ALEXA 65·Theatrical
96Well-cited2 sources ↓
TMDb ↗Script (IMSDb) ↗Loadout sheet (PDF)
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At a glance

Director
Alejandro González Iñárritu
Cinematography
Emmanuel Lubezki
Primary camera
ARRI ALEXA 652 scenes
Primary lens
Panavision Sphero 50mm T2.3
Format
2.39:1 · ARRIRAW ALEXA 65Theatrical
Locations
British Columbia

Production

Studios

  • Searchlight Picturesdistributor

Department

Camera

  • Emmanuel LubezkiDirector of Photography

Department

Direction

  • Alejandro González IñárrituDirector

Production

Scenes & Equipment

Grizzly Bear AttackEXTday

British Columbia

camera_bodyA-CamARRI ALEXA 65›ARRI ALEXA 65a_cam
Glacial RebirthEXTmagic hour

British Columbia

lens_setA-CamPanavision Sphero T-Series Anamorphic›Panavision Sphero 50mm T2.3a_cam_lensSources: [1]
camera_bodyA-CamARRI ALEXA 65›ARRI ALEXA 65a_camSources: [1]

Related

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Ranked by overlap of director, cinematographer, genre, and decade.

Birdman or (The Unexpected Virtue of Ignorance)
2014 · same director
Gravity
2013 · same cinematographer
Children of Men
2006 · same cinematographer
Midsommar
2019 · similar genre
1917
2019 · similar genre
Once Upon a Time in Hollywood
2019 · similar genre

Provenance

Sources

  1. [1]Emmanuel Lubezki, ASC, AMC on Natural Light in The Revenantprimary
    American Cinematographer · 2016-01-01
  2. [2]Iñárritu and Lubezki on the natural-light philosophy of The Revenantsecondary
    Vanity Fair · 2015-12-01