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Panavision Sphero T-Series Anamorphic
lens_set
35–100mm
Focal range
T2.3
Fastest stop
Ø30mm
Image circle
Super 35
Format
PV
Mount
About
Panavision Sphero T-Series Anamorphic
Panavision Sphero T-Series Anamorphic is a more modern anamorphic prime set in PV mount, designed to combine the rendering signature of the older C/E/G series with consistent optical performance across focal lengths. The set covers 35, 50, 75 and 100mm primes at T2.3, with a 2× squeeze on Super 35.
The Spheros sit between the vintage Panavision sets (C/E) and the very modern T-Series in characterful rendering — they retain some flare characteristics but are tuned for repeatable performance.
Signature look
Moderate anamorphic flare and bokeh, less pronounced than the C-Series but more characterful than a Zeiss Master Anamorphic. Tuned for consistent geometry across the set.Catalog
4 items in this series
| Item | Focal | T-stop | Image Ø | Weight | Status |
|---|---|---|---|---|---|
| Panavision Sphero 100mm T2.3 | 100mm | T2.3 | 30mm | 1.9kg | active |
| Panavision Sphero 35mm T2.3 | 35mm | T2.3 | 30mm | 1.8kg | active |
| Panavision Sphero 50mm T2.3 | 50mm | T2.3 | 30mm | 1.8kg | active |
| Panavision Sphero 75mm T2.3 | 75mm | T2.3 | 30mm | 1.9kg | active |
Credits
Used on 1 production
Crew
Cinematographers who used this
Camera-department crew on productions where this series was used. Same person may appear once per role they held.
| Crew | Role | Productions | Scenes |
|---|---|---|---|
| Alex Martinez | First Assistant Camera | 1 | 1 |
| Emmanuel Lubezki | Director of Photography | 1 | 1 |
| Gregor Tavenner | First Assistant Camera | 1 | 1 |
| Ian R. C. Levine | Second Assistant Camera | 1 | 1 |
| John T. Connor | First Assistant Camera | 1 | 1 |
| P. Scott Sakamoto | Camera Operator |
References
Further reading
- Panavision Sphero T-SeriesPanavisionstudio page