Cobb, a skilled thief who commits corporate espionage by infiltrating the subconscious of his targets is offered a chance to regain his old life as payment for a task considered to be impossible: "inception", the implantation of another person's idea into a target's subconscious.
Per-scene lighting plots: fixture role (key / fill / back / practical), color temperature, diffusion stack, and motivation notes from cited supervisor interviews.
The 100-foot rotating-corridor practical set was built with its own integrated wall-mounted fixtures that rotated with it. Wally Pfister specified that no movie-lighting could be added externally — the corridor had to be self-illuminating throughout the rotation.
Setup defined; no fixtures plotted yet.
Practical sconces and ceiling fluorescents pre-baked into the set wiring; their rotation meant the apparent key direction shifted continuously as the camera held the standing performer in frame.
Color
Pipeline
Camera color science → IDT → working space → ODT → deliverable. Production-wide default first; scenes that diverge below.
Photochemical + DI hybrid — 35mm + IMAX (Wally Pfister)· production default
Camera log
Kodak Vision3 5219 + 5207 negative; IMAX 65mm
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Camera gamut
Photochemical
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IDT
Cineon-based scan IDT (Technicolor DI Park Road)
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Working space
Cineon log working space (pre-ACES era)
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ODT
Rec.709 ODT for digital deliverables; photochemical answer-print for 35mm + 70mm
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Deliverable
70mm IMAX 15-perf + 35mm contact + Blu-ray HD
Pfister + Pfister-era Nolan was committed to photochemical finishing; the DI was used primarily for VFX integration and the dream-architecture shots. The corridor-rotation hotel sequence was finished photochemically.
Stunts
Curated set-pieces · 1
Sequence-level rigging detail — pole-cats, decelerators, picture-car modifications, named coordinators, and the SAG-AFTRA / BSR safety bulletins observed on set. Click through for the full breakdown.
The stunt department on this production: credited crew, actor-double pairings, and the companies whose members brought them onto the show. Click any name to jump to their full filmography + doubling history.
Park Road Post Productionfinishing ↗— Park Road handled the photochemical answer-print (35mm + 70mm) — Pfister + Nolan committed to chemical finishing through Inception.