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Zeiss Master Prime 32mm T1.3
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Zeiss Master Prime 32mm T1.3 — the technically-flawless Super 35 normal-wide. Co-developed by ARRI and Zeiss with low distortion, low breathing, and even illumination across the frame.
32 mm
Focal length
T1.3
Max aperture
32 mm
Image circle
Super 35
Format
PL
Mount
2.6 kg
Weight
Use
When it's pulled
The "I want zero character" choice. Pulled when the production wants the camera to be invisible — the lens shouldn't add anything the cinematographer didn't deliberately put there.
Fit
Compatibility
Native mount
PL
Common camera bodies
ARRI ALEXA family (S35)RED Helium 8KSony VENICE (S35)ARRI ALEXA Mini LF (S35 windowed)
Adapter / mount notes
Super 35 image circle (~32 mm). LDS-1 metadata on PL. Doesn't cover full-frame in open gate.
Coverage
Sensor coverage
Auto-derived from this lens's 32 mm image circle against manufacturer-published sensor active areas.Run a per-aspect calculation →
| Sensor | Active area | Diag | Coverage |
|---|---|---|---|
| IMAX 65mm 15-perf | 70.41 × 52.63 mm | Ø87.91 mm | Vignettes |
| ARRI ALEXA 65 Open Gate | 54.12 × 25.58 mm | Ø59.86 mm | Vignettes |
| ARRI ALEXA 65 4K 16:9 | 50.79 × 25.58 mm | Ø56.87 mm | Vignettes |
| RED V-RAPTOR 8K VV | 40.96 × 21.6 mm | Ø46.31 mm | Vignettes |
| VistaVision 8-perf 35mm | 37.72 × 24.92 mm |
Technical
Specifications
| Spec | Value |
|---|---|
| Focal length | 32 mm |
| Max aperture | T1.3 |
| Image circle | 32 mm |
| Format | Super 35 |
| Anamorphic | No |
| Close focus | 0.36 m |
| Weight | 2.6 kg |
| Front Ø | 134 mm |
| Mount | PL |
| Focus breathing | negligible |
| Focus throw | 300° |
Credits
Used on 1 production
| Production | Year | Scene | Setup |
|---|---|---|---|
| Blade Runner 2049 | 2017 | Sea Wall Confrontation | A-Cam |
Crew
Cinematographers
Camera-department crew on productions where this specific item was used. Same person may appear once per role they held.
| Crew | Role | Productions | Scenes |
|---|---|---|---|
| Ambrus Hernádi | Second Assistant Camera | 1 | 1 |
| Atli Kristófer Pétursson | Aerial Director of Photography | 1 | 1 |
| Balázs Várszegi | Second Assistant Camera | 1 | 1 |
| Dylan Goss | Aerial Director of Photography | 1 | 1 |
| Dávid Vécsey | Digital Imaging Technician | 1 | 1 |
| Gusztáv Kirsch | Camera Operator |