CineCanon · Loadout sheet
Blade Runner 2049
2017 · CA · 2h 44m
Acquisition format
- 2.39:1ARRIRAW ALEXA XTTheatricalDCI-P3
- 2.39:1ARRIRAW ALEXA XT (primary)A-camera — ARRI ALEXA XT (primary)LogC3 / ARRI Wide Gamut
- 2.39:1ARRIRAW ALEXA MiniB-camera + lightweight rigs — ARRI ALEXA MiniLogC3 / ARRI Wide Gamut
- 1.90:1ARRIRAW ALEXA XT (IMAX-certified DMR remaster)IMAX 1.90 expansion (selected sequences)Rec.2020 PQ
Crew
direction
- Denis VilleneuveDirector
camera
- Roger DeakinsDirector of Photography
- Dylan GossAerial Director of Photography
- Dávid VécseyDigital Imaging Technician
- Imre JuhászCamera Operator
- Pete CavaciutiSteadicam Operator
- Péter FaludiFirst Assistant Camera
- Ákos GulyásSecond Assistant Camera
- Ambrus HernádiSecond Assistant Camera
- Atli Kristófer PéturssonAerial Director of Photography
- Balázs VárszegiSecond Assistant Camera
- Gusztáv KirschCamera Operator
- István DjuroskaSecond Assistant Camera
- Jason NaranDigital Imaging Technician
- Joshua GollishDigital Imaging Technician
- László BilleCamera Operator
- Michael RathgeberFirst Assistant Camera
- Pablo MontesinosDigital Imaging Technician
- Paul MaletichAerial Director of Photography
electric
- Bill O'LearyGaffer
- Péter BognárLamp Operator
- Andras RudasyLamp Operator
- András ZsákLamp Operator
- Béla RáczLamp Operator
- David RondzikLamp Operator
- Gábor InczédyLamp Operator
- Istvan BangaLamp Operator
- Keri ManuelLamp Operator
- Krisztián PaluchGaffer
grip
- Bruce HammeDolly Grip
- Gábor BaldaBest Boy Grip
- Mitch LillianKey Grip
- Attila SzücsKey Grip
- Paul CandrilliBest Boy Grip
sound
- Bálint CsákiBoom Operator
- Mac RuthProduction Sound Mixer
- Mark ManginiSupervising Sound Editor
- János Csáki Jr.Production Sound Mixer
- Norbert SzekeresBoom Operator
art
- Alessandra QuerzolaSet Decorator
- Doug HarlockerProperty Master
wardrobe
- Renée AprilCostume Designer
makeup hair
- Donald MowatDepartment Head Makeup
vfx
- John NelsonVisual Effects Supervisor
- Karen M. MurphyVisual Effects Producer
- Robert PikCompositing Supervisor
- Adam O'Brien-LockeVisual Effects Producer
- Annie NormandinVisual Effects Producer
- Chad NixonVisual Effects Producer
- Eric HortonVisual Effects Supervisor
- Filip SustekCompositing Supervisor
- Huseyin CanerVisual Effects Supervisor
- Jeremy RobertVisual Effects Supervisor
- Julien CiminoVisual Effects Producer
- Kim MenasterVisual Effects Producer
- Laurent SpillemaeckerCompositing Supervisor
- Michelle EisenreichVisual Effects Producer
- Nicolas MaillardVisual Effects Supervisor
- Olivier CauwetVisual Effects Supervisor
- Paul LambertVisual Effects Supervisor
- Peter BowmarVisual Effects Supervisor
post
- Brad ArensmanPost-Production Supervisor
- Goro KoyamaFoley Artist
- Joe WalkerEditor
- Matt WallachColorist
- Ron BartlettRe-Recording Mixer
- Ryan RubinMusic Editor
- Theo GreenSound Designer
- Andy MalcolmFoley Artist
- Doug HemphillRe-Recording Mixer
music
- Deva AndersonMusic Supervisor
- Hans ZimmerComposer
- Benjamin WallfischComposer
production
- Adam HartStunt Performer
- Donald SparksFirst Assistant Director
- Jessica SharpLine Producer
- Joel KramerSecond Assistant Director
- Tim GambleProducer
- Abel KocsisStunt Performer
- Albert ChoFirst Assistant Director
- Alejandro MoraSecond Assistant Director
- Alex KingiStunt Performer
- Altamiro Junior JubileeStunt Performer
- Andras SeregiStunt Performer
- Andrew A. KosoveProducer
- Balázs FarkasStunt Performer
- Balázs LengyelStunt Performer
- Balázs SzigethyStunt Performer
- Bill CarraroProducer
- Brandon LambdinFirst Assistant Director
- Broderick JohnsonProducer
- Bud YorkinProducer
writing
- Hampton FancherScreenwriter
- Michael GreenScreenwriter
Equipment
camera body
- ARRI ALEXA XTARRI ALEXA family1 scene
lens set
- Zeiss Master Prime 32mm T1.3Zeiss Master Prime1 scene
Sources
- American Cinematographer, "Future Shock: Roger Deakins, ASC, BSC on Blade Runner 2049" (2017-10-01)primary