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Zeiss Planar 50mm f/0.7 (NASA)
lens_setrare
50 mm
Focal length
T0.7
Max aperture
32 mm
Image circle
Super 35
Format
M
Mount
1.5 kg
Weight
Coverage
Sensor coverage
Auto-derived from this lens's 32 mm image circle against manufacturer-published sensor active areas.Run a per-aspect calculation →
| Sensor | Active area | Diag | Coverage |
|---|---|---|---|
| IMAX 65mm 15-perf | 70.41 × 52.63 mm | Ø87.91 mm | Vignettes |
| ARRI ALEXA 65 Open Gate | 54.12 × 25.58 mm | Ø59.86 mm | Vignettes |
| ARRI ALEXA 65 4K 16:9 | 50.79 × 25.58 mm | Ø56.87 mm | Vignettes |
| RED V-RAPTOR 8K VV | 40.96 × 21.6 mm | Ø46.31 mm | Vignettes |
| VistaVision 8-perf 35mm | 37.72 × 24.92 mm | Ø45.21 mm | Vignettes |
| ARRI ALEXA Mini LF Open Gate | 36.7 × 25.54 mm | Ø44.71 mm | Vignettes |
| ARRI ALEXA LF Open Gate | 36.7 × 25.54 mm | Ø44.71 mm |
Technical
Specifications
| Spec | Value |
|---|---|
| Focal length | 50 mm |
| Max aperture | T0.7 |
| Image circle | 32 mm |
| Format | Super 35 |
| Anamorphic | No |
| Weight | 1.5 kg |
| Mount | M |
| Focus breathing | noticeable |
Credits
Used on 1 production
| Production | Year | Scene | Setup |
|---|---|---|---|
| Barry Lyndon | 1975 | Candlelit Dinner Scene | A-Cam |
Crew
Cinematographers
Camera-department crew on productions where this specific item was used. Same person may appear once per role they held.
| Crew | Role | Productions | Scenes |
|---|---|---|---|
| Daron Keet | Director of Photography | 1 | 1 |
| John Alcott | Director of Photography | 1 | 1 |