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Panavision C-Series Anamorphic
About
Panavision C-Series Anamorphic
Panavision C-Series Anamorphic was the company's primary anamorphic prime set from the early 1970s through the 1990s. The set covers a wide range of focal lengths from 24mm through 180mm, all at T2.3 with a 2× squeeze, in PV mount.
C-Series glass remains a recognisable rendering signature — pronounced blue horizontal flares, oval bokeh, swirl at the edges of focus, and noticeable breathing on pulls. The set has been used continuously since launch; recent A-camera work includes parts of The Master, Inherent Vice, and Licorice Pizza (PTA / Wally Pfister, then Mihai Malaimare Jr.).
Catalog
2 items in this series
| Item | Focal | T-stop | Image Ø | Weight | Status |
|---|---|---|---|---|---|
| Panavision C35 T2.3 | 35mm | T2.3 | 30mm | 1.4kg | active |
| Panavision C50 T2.3 | 50mm | T2.3 | 30mm | 1.4kg | active |
Credits
Used on 1 production
Crew
Cinematographers who used this
Camera-department crew on productions where this series was used. Same person may appear once per role they held.
| Crew | Role | Productions | Scenes |
|---|---|---|---|
| Gordon Willis | Director of Photography | 1 | 1 |
| Michael Chapman | Camera Operator | 1 | 1 |
| Peter Salim | Second Assistant Camera | 1 | 1 |
| Tibor Sands | First Assistant Camera | 1 | 1 |
References
Further reading
- Panavision lens referencePanavisionstudio page
