Phil Smoke Ring in the Saddle

Zeiss Supreme Primes used for their combination of sharpness and organic falloff — critical for the tonal range of the New Zealand tussock landscapes in Montana-simulated light.

Ari Wegner and Campion shot in the Otago region of New Zealand's South Island. The large-format ALEXA LF allowed Wegner to compress the epic Montana landscape into a psychologically imposing backdrop.