feature · 20193h 1mUS
After the devastating events of Avengers: Infinity War, the universe is in ruins due to the efforts of the Mad Titan, Thanos. With the help of remaining allies, the Avengers must assemble once more in order to undo Thanos' actions and restore order to the universe once and for all, no matter what consequences may be in store.
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Post-Production
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Locations
County Durham · United Kingdom · 54.773, -1.576
Asgard interior cathedral exteriors photographed for Thor sequences (carried into Endgame in flashbacks).
Georgia · United States · 33.405, -84.578
Russo-brothers MCU production hub; Avengers compound, Thanos's farm, time-heist Battle-of-NY plate stages.
Sun events shown for today, UTC. Maps © OpenStreetMap contributors.
Color
Camera color science → IDT → working space → ODT → deliverable. Production-wide default first; scenes that diverge below.
Visual-effects-heavy production; the colour pipeline reconciles the ALEXA-shot photography with the multi-vendor VFX renders (ILM + Weta + Framestore) in a unified ACES space before the per-shot grade.
Stunts
Sequence-level rigging detail — pole-cats, decelerators, picture-car modifications, named coordinators, and the SAG-AFTRA / BSR safety bulletins observed on set. Click through for the full breakdown.
Steve Rogers's confrontation with his own past self during the Battle of New York time-heist. Sam Hargrave performed both halves of the choreography to the working-take camera plate — first as Cap-A facing an empty mark, then as Cap-B reacting to the playback. The composite stitches the two passes together via plate-matching at the marble-floor pivot.
Black Widow's sacrifice on Vormir to retrieve the Soul Stone. Heidi Moneymaker performed the rigged fall from the cliff edge on a hydraulic decelerator system, with the upper section of the cable disappearing in compositing. The decelerator was tuned to produce a 6-G arrest profile in the last two metres so the body's pose at the bottom of the fall would read as motionless on impact rather than rebound.
The mass-portal opening at the climax — every prior Avenger arriving via Doctor Strange's mandala, Cap raising Mjolnir, the cavalry charge across the battlefield. Coordinated as a multi-day shoot across more than two hundred stunt performers, with separate units handling each character's entrance and rigging. The "Assemble" line and the leading charge were a single working day, with the wide-shot hero plates pulled from twelve cameras simultaneously.
Stunts
The stunt department on this production: credited crew, actor-double pairings, and the companies whose members brought them onto the show. Click any name to jump to their full filmography + doubling history.
The portals-battle close-quarters work and the time-heist sequences — Hanton on screen for most of the rigged action.
The Vormir cliff sequence — Moneymaker performed the rigged fall on a decelerator system.
The Cap-versus-Cap fight sequence — Hargrave performed both halves of the choreography to the working-take camera plate.
Contributing stunt companies
Franchise
Related
Ranked by overlap of director, cinematographer, genre, and decade.
Related
By embedding cosine-similarity — surfaces films with comparable subject matter and tone, regardless of whether crew credits overlap.
Earliest theatrical or premiere date per country. Source: TMDb.
